From Maxmonte: "The concept of this guitar is derived from its provenance: This Thames guitar was born from woods that were forgotten or rejected. The redwood is from the Pacific Northwest — sunk to the bottom of a river while going downstream to mills, only to be retrieved decades later. The ebony is from central Africa, left to rot for not being perfectly black. Their combination, however, transforms salvaged materials into an extraordinary instrument that is uniquely precious and wholly indelible. The inlay glyphs are inspired by the native American and African tribal motifs, calling back to the regions the woods came from." This example is brand new and comes with a Hiscox hardshell case.